Superbohaterstwo 9/2012

russell sbriglia: love in bane – late capitalism, revolution, and the crisis of authenticity in ‚the dark knight rises’

Like the previous installment in Christopher Nolan’s Dark Knight Trilogy, The Dark Knight Rises has garnered a slew of political responses in the short time since its release this past July. And while valuations of the film’s ostensible politics have tended to fall along predictable American party lines, what is most surprising about such responses …